The Canada chapter didn’t launch Solanke. There’s no mythology to mine here—just a kid who moved countries, swapped accents, absorbed cultures, and didn’t flinch. There’s something quietly radical about that. Just sharp, self-aware evolution—scene by scene.

Bet (TV series)

The ensemble cast is diverse, featuring Ayo Solanke as Ryan Adebayo and Eve Edwards as Mary Davis. Clara Alexandrova stars as the fierce student council president, Kira Timurov. Each character conveys depth in the storyline, reflecting complex social structures in the school.

• While the series itself splits audiences faster than a bluff gone wrong, Solanke’s character, Ryan Adebayo, is a wildcard worth watching.
• Solanke, 22, is a Nigerian-born British musician and actor.
• Some feel that by diverting from the source material, especially with character building and cultural nuances, the adaptation has never stood the rightful claim of being a legitimate one.
• And he does it without sounding defensive or rehearsed.
• And yet, Solanke gives him spine, nuance, and just enough moral discomfort to keep things interesting.

This would allow it to stand on its own for new viewers as well as longtime Kakegurui fans. Immensely promoted for their quantizing visuals and slick cinematography, Bet was conceptualized by Simon Barry-the same mind who also gave us Warrior Nun. Dramatic lighting and insane close-ups all throughout gambling scenes yield an atmosphere of heightened tension and suspense as the psychological stakes are being asserted. Bet is based on the acclaimed manga Kakegurui, created by Homura Kawamoto and Tōru Naomura. Since its initial serialization in 2014, Kakegurui immediately became quite popular because of its unique juxtaposition of psychology-thriller-gambling themes. If you were searching for the owner of Bet9ja, we hope that your question has been answered by reading this post.

Netflix Live-Action Kakegurui Adaptation ‘BET’: Release Date, Trailer & Everything We Know

He’s not dabbling—he’s building something that could easily stand on its own. Netflix’s new hit series BET, a live-action adaptation inspired by the manga Kakegurui, has taken audiences by storm — and one of the standout characters is Ryan, portrayed by rising star Ayo Solanke. I recently caught up with Ayo for Pop Culture Unplugged, where we talked about the show’s global success, stepping into a beloved fandom, and why Ryan’s evolution is resonating with viewers around the world.

The Top Law Students

The show offers a live-action look at the Japanese manga Kakegurui, which exposes a world of high-stakes gambling and power dynamics. Let’s have a look at what this live adaptation brings to the table and how well it has adapted elements from the original manga. Gambling is a way of life at St. Dominic’s, and the Student Council are the top winners at the school, led by council president Kira (Clara Alexandrova). They make the rules of the games played.

We’ll be discussing the brief history of bet9ja’s owner(Kunle Soname), his current net worth, picture, state, and other details about this man below. This betting company is currently managed in Nigeria by KC Gaming Networks Limited and run by some other shareholders of different nationalities. It is also licensed in Nigeria by the Lagos State Lotteries Board (LSLB). This website cannot be displayed as your browser is extremely out of date. Even clarifies context on misquoted interviews.

• Critics and fans alike praise this emotional arc—a rare blend of vulnerability and resolve.
• This chapter dissects three key projects that show exactly how far that ceiling might go.
• Ayo hasn’t parked his ambition at acting.
• In an era when representation matters more than ever, he’s not just navigating identity, he’s defining it, scene by scene.
• Ryan isn’t the alpha or the anti‑hero, he’s the student caught in a rigged game, and Solanke brings him dignity and quiet resistance, giving emotional depth to a chaotic narrative aestetica.net.
• There’s something almost too fitting about Solanke joining an A24 film.

The switch from stage to screen didn’t feel like an upgrade—it felt like being thrown into a new sport with different rules. Subtlety wasn’t a footnote—it was the whole page. There’s a danger in treating manga tropes with reverence—they become parodies without punch. Solanke sidesteps that trap by playing Ryan with dissonance.

Contents

From an upcoming role in an A24 psychological thriller to the high-stakes return of Bet, Ayo Solanke’s future projects don’t follow a straight trajectory. They zigzag between prestige and pop, art-house and streaming spectacle. This chapter looks ahead, not with PR spin, but with a critical eye on what these choices say about where he’s headed—and who he refuses to become.

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• There’s rumored involvement in a surrealist British drama, a miniseries based on a dystopian short story collection, and a recurring character in a genre-defying Canadian series currently under wraps.
• We are also dedicated to facilitating Uganda’s legal and economic growth by providing strategic guidance to businesses and organizations across diverse industries.
• Provided Netflix pays heed to the criticisms and stays true to the core concepts of the original manga while treating issues with care, all-out respect, and adaptation appropriateness.
• And if you enjoyed it, consider sharing this post with your friends on social media with the share buttons below.
• Continue reading to find out more about him.
• Now to the main question – who is the owner of bet9ja?
• He’s not the swaggering alpha or the tormented antihero.
• Having said all this the character drama is still very much present.

The indie studio has a reputation for picking actors who don’t need to shout to be heard. And Ayo Solanke’s role in A24’s Altar seems positioned to pivot him from emerging talent to serious contender—without the usual award-season desperation. Unlike the curated grids of celebrities holding lattes or fake-laughing with influencers, Ayo Solanke’s Instagram feels like it was built by a human with taste and a sense of humor. Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters. He posts like someone who doesn’t need validation, which—ironically—makes him more worth following.

• His tweets rarely break the internet, which is precisely the point.
• It was here that Ayo Solanke’s transition from theatre to screen acting began, and not in the way most expect.
• As a director and writer, he isn’t flexing genre tricks.
• He’s said in interviews that their dynamic was “built off eye contact more than script cues,” and that tracks.
• This betting company is currently managed in Nigeria by KC Gaming Networks Limited and run by some other shareholders of different nationalities.

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If the first episode is any indication, episodes will consist of one face-off after another, characters giving sneering and sniveling speeches, and lots of expositional dialogue of the type that weighed down the first episode. Last year, Netflix quietly revealed that it was diving into the anime and manga world of Kakegurui – Compulsive Gambler with a live-action adaptation that’d be helmed by the same showrunner as Netflix’s ill-fated Warrior Nun. The streamer has now confirmed that the new series will stream on May 15th globally and revealed four first looks. The supporting cast do their jobs, too. These are all likeable and engaging characters who create an interesting ensemble thanks to their varied personalities, circumstances, and motivations. There’s something almost too fitting about Solanke joining an A24 film.

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Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche. Solanke leans into the unsettling tone here, not with overacting but with a kind of quiet dread. Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time. It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all.

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We are also dedicated to facilitating Uganda’s legal and economic growth by providing strategic guidance to businesses and organizations across diverse industries. What else has Ryan Sutherland been in? Sutherland previously starred in Four Singles, a film about four men coping with loneliness, loss of love and social isolation. Ryan Sutherland is an actor known for playing Suki in Bet. What else has Aviva Mongillo been in? She is best known for her role as Alya Kendrick in the drama series Backstage and Juniper in Workin’ Moms.

Recommended from What’s on Netflix

• Ayo Solanke is carving a spot in film and TV by refusing to blend in.
• Provided Netflix pays heed to the criticisms and stays true to the core concepts of the original manga while treating issues with care, all-out respect, and adaptation appropriateness.
• And if you enjoyed it, consider sharing this post with your friends on social media with the share buttons below.
• Having said all this the character drama is still very much present.
• There’s rumored involvement in a surrealist British drama, a miniseries based on a dystopian short story collection, and a recurring character in a genre-defying Canadian series currently under wraps.
• He’s not the swaggering alpha or the tormented antihero.
• Nigeria wasn’t a springboard—it was a baseline.

Just a visual puzzle with enough thematic weight to demand more than one watch. Solanke’s dip into horror didn’t come with the glossy prestige of a Sundance darling or the PR sheen of a studio reboot. Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside. The ensemble cast of Bet reads like an anime convention after three Red Bulls, but Solanke’s chemistry with Miku Martineau’s Yumeko is grounded, tense, and human. He’s said in interviews that their dynamic was “built off eye contact more than script cues,” and that tracks.

And he does it without sounding defensive or rehearsed. Which, in a digital landscape of overly managed personas, makes him far more watchable off-screen than most of his peers onscreen. He’s been open about how those early ensemble shows—where mics cut out and spotlights misfire—taught him how to listen for timing. Not just musical timing, but emotional timing.

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At the heart of the story lies Yumeko Jabami, a compulsive gambler who dismantles the social order of Hyakkaou Private Academy, a school where students remain ranked according to their gambling prowess. The manga is famous worldwide due to its intense characters and unpredictable plot twists, thus being ripe for live-action adaptation. Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in. Instead, Ayo Solanke’s upcoming movies are deliberately varied.

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This is because most of Bet’s high-school social dynamics are filtered through the extremely exaggerated lens of high-stakes gambling games and anime-esque stylistic flourishes. Logically, this means ayobet that several students are in considerable debt and forced to become “house pets” – in other words, slaves to the wealthier students. Let’s start with the absurdly titled Clown in a Cornfield. It sounds like a joke, but it’s not. Solanke’s performance in Clown in a Cornfield isn’t about reinventing the slasher wheel—it’s about knowing exactly when to subvert and when to commit.

In a school where everyone is high-gloss insanity, he walks like he’s just trying to get to math class without being decapitated. It’s not that he’s unaware of the drama; he’s just exhausted by it. That contrast gives the Bet Netflix episodes some badly needed grounding—and elevates the absurdism from cosplay to commentary. Solanke’s Ryan Adebayo isn’t the hero Netflix usually casts, and that’s precisely the point. He’s not the swaggering alpha or the tormented antihero. A student at St. Dominic’s who gambled and lost, Ryan’s role is defined by subjugation.

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A good example is Bet, an adaptation of a manga about a high schooler who is a compulsive gambler going to a prep school full of people wagering their parents’ money. After staking his claim as one of the few fresh faces to make a teen drama feel dangerous again, he’s shifting gears. What’s next isn’t just a continuation—it’s escalation.

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Bet has performed well in terms of ratings since its inception. According to Netflix, the series had recorded 2.4 million views internationally in 7 days and 13.7 million hours of watching, ranking ninth globally in the meantime. It has managed to stay in the top 10 in 32 countries, despite hardly any marketing efforts. Kasey Moore is the founder and editor-in-chief of What’s on Netflix, the leading independent resource covering Netflix with over a decade of hands-on experience tracking Netflix’s new releases, removals, and breaking news. His reporting and data insights have been featured in leading publications including Variety, THR, Bloomberg, and Business Insider.

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On Ayo Solanke’s Twitter, things get even less polished—and better for it. He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry. His tweets rarely break the internet, which is precisely the point. In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY. Ayo Solanke could’ve easily coasted on the buzz from Bet. But Solanke isn’t playing for comfort—he’s playing for range.